WASHINGTON (AP) — A spark that helped ignite Elvis Presley’s fame more than 50 years ago was lit by the newspaper editors and critics who hated him. They detested his voice and thought his moves were unfit for family publications, all while teenagers went wild. It’s that shocking style and clash with the media that also will make Elvis the subject of a new exhibition at the Newseum, a history museum that celebrates the First Amendment in Washington. “Newspapers in the mid-’50s viewed themselves as arbiters of social values, and they felt they should be among the ones to speak most loudly when they saw someone threatening America’s mores,” said Ken Paulson, the Newseum’s president and former editor of USA Today. “What’s interesting is that fiercely negative coverage drove Elvis’ fame. … After the national news coverage kicked in, he was the king of rock ‘n’ roll.” Elvis’ two years of service in the U.S. Army, though, was a turning point. Parents couldn’t hate him anymore, and the news media eventually came along, too. The exhibit opening March 19 traces Elvis’ rise in the 1950s – in part a study in image management by his longtime manager, Col. Tom Parker – to his meeting with President Richard Nixon at the White House in 1970. It will include rare objects from Presley’s life, some never before displayed outside of Graceland and others never before publicly displayed anywhere. Objects in the collection include Elvis’ 1957 Harley-Davidson motorcycle that was key to his rebel image, his first Grammy Award for “How Great Thou Art” in 1968, the overcoat and gold belt Elvis wore to meet Nixon at the White House, and the Bureau of Narcotics badge the president gave Presley. He had requested to be made a “federal agent-at-large” to help fight drug use. Many documents will be displayed for the first time, including the 1955 exclusive management contract Elvis and his parents signed, giving Parker 25 percent of his income. (Later, in the 1970s, Parker’s stake rose to an unprecedented 50 percent.) “If you’re a die-hard Elvis fan, you either love Colonel or you hate Colonel,” said Angie Marchese, Graceland’s director of archives who helped develop the exhibit. “It’s like everything that Colonel did for Elvis in the 50s, would Elvis have been as big of a pop culture phenomenon without Colonel? Probably not. “But every relationship like that draws scrutiny.” The Newseum show on view through February 2011 is among a series of exhibits this year marking what would have been Elvis’ 75th birthday. In January, the Smithsonian’s National Portrait Gallery opened an exhibit of Elvis artwork. In Los Angeles, the Grammy Museum has a Smithsonian traveling exhibit of Elvis photographs by Alfred Wertheimer. Paulson, who said he has been an Elvis fan since he was a young boy, said a partnership with Graceland was a natural fit for a look at entertainment history through the eyes of the media. “There were many people who were more than willing to censor him or limit his expression,” he said. “So Elvis truly is a symbol of freedom in America for all the right reasons.” Marchese said the images and objects give people a chance to reflect on what Elvis might be doing if he were alive. “You’d want to think he would still be involved in music somehow, not necessarily going to Vegas and performing in jumpsuits like he was in the ’70s … his career probably would have progressed from that,” she said. “I’m thinking he probably would have had a career rebirth in Hollywood as well.” — On the Net: Newseum: http://www.newseum.org/
March 11, 2010 | Posted in
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TOKYO (AP) — Sony has a new message for Nintendo Wii gamers: Come join us. The Japanese maker of the PlayStation 3 unveiled Thursday its highly anticipated motion controlling system, as it takes aim at Nintendo’s dominance in the gaming sector. With the “PlayStation Move,” Sony hopes to lure gamers who have outgrown Nintendo, which launched the Wii in 2006 and became the first to introduce motion-detecting controllers. Peter Dille, senior vice president of marketing for Sony Computer Entertainment, credited Nintendo Co. for “introducing motion gaming to the masses.” Now it’s time for them to graduate to the PlayStation, which offers a new experience for both casual and hard-core gamers, he said at a press conference in San Francisco. “The migration path from the Wii household to the PlayStation 3 household is a pretty natural path, partly because of the experience that you can get on the PlayStation Move but also because of the content that we find on PlayStation 3,” Dille said. Used with the existing PlayStation Eye camera, Sony’s new wireless motion controller can track players’ body movements. The controller, in turn, has on its end a light-emitting orb that is recognized by the camera. “Nothing has ever been this precise,” said Shuhei Yoshida, president of Sony Computer Electronics Worldwide Studios. The PlayStation Move will go on sale this fall. Complete details of prices have not been released, but a starter bundle including the PlayStation Eye, motion controller and one game will retail for under $100, Dille said. Major game publishers such as Activision Blizzard Inc., Electronic Arts Inc. and Square Enix are developing Move-compatible games. The latest announcement comes as both Sony and Microsoft Corp., maker of the Xbox 360, attempt to gain ground on Nintendo. Since the Wii first hit stores, it has consistently outsold rivals by attracting casual and nontraditional gamers like women and seniors. Microsoft is planning its own offensive this year as well with its “Project Natal.” Natal, which combines a camera, depth sensor, microphone and processor, eliminates the need for any button-mashing device. Microsoft is expected to release Natal in time for the Christmas shopping season but has not set a specific date. Although demand for the Wii has slowed in recent months, it remained the most popular console among Americans in January with 465,000 units sold, according to market researcher NPD Group. Microsoft sold 332,800 units of the Xbox 360, trailed by 276,900 PlayStation 3 units.
March 11, 2010 | Posted in
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NAIROBI, Kenya (AP) — A global Internet oversight agency is reopening discussions about whether to create a “.xxx” domain name as an online red-light district where porn sites can set up shop away from the wandering eyes of children and teenagers. Parents would be able to use the system to help block access to porn sites, though because its use would be voluntary, the “.xxx” suffix wouldn’t keep such content entirely away from minors. Religious and other anti-porn groups worry that “.xxx” would legitimize porn sites, and the proposal has already been rejected three times since 2000. But the Internet Corporation for Assigned Names and Numbers, which oversees the allocation of Internet addresses globally, may revive ICM Registry LLC’s bid yet again as ICANN meets this week in the Kenyan capital of Nairobi. Last month, responding to complaints from ICM, an outside panel questioned ICANN’s grounds for the latest rejection in 2007. As a result, board members have been weighing the matter ahead of formal consideration of the “.xxx” bid on Friday, ICANN CEO Rod Beckstrom said in an interview. Beckstrom said he was not able to give details of those discussions for legal reasons, and he could not say when ICANN may reach a decision. Stuart Lawley, ICM’s chief executive, said he has been the victim of a process that he considered far from open and nondiscriminatory. ICM, which planned to charge $60 for a site to register a “.xxx” name, first proposed “.xxx” in 2000 as a way to help the online porn industry clean up its act. Those using the domain would have to abide by yet-to-be-written rules designed to bar such trickery as spamming and malicious scripts. And parents could set up Internet software to automatically block any site ending in “.xxx,” reducing the chances that minors and other Internet users would accidentally stumble on pornography online. Given its voluntary nature, however, “.xxx” would unlikely have much effect on parents’ ability to block porn sites. And because a domain name serves merely as an easy-to-remember moniker for a site’s actual numeric Internet address, even if its use is required, a child could simply punch in the numeric address of any blocked “.xxx” name. Anti-porn activists, meanwhile, worry that the creation of a virtual red-light district would serve as an endorsement of the adult-entertainment industry, as “.xxx” would be sitting alongside other suffixes such as “.com” for commercial sites and “.edu” for schools. Skeptics note that porn sites would likely keep their existing “.com” storefronts, even as they set up shop in the new “.xxx” domain name, thereby expanding the number of porn sites on the Internet. When ICANN last considered “.xxx,” board members also expressed worries that the suffix would leave the agency in the business of regulating content, or the type of material that would find itself there. The board also questioned whether “.xxx” had the support of the adult-entertainment industry, as many operators of porn sites were concerned that governments would later make the voluntary red-light district mandatory. ICANN still wasn’t swayed after ICM said that the content-regulation role would have been left solely with the company and that ICM would fend off efforts to mandate its use. Lawley challenged ICANN’s rejection before an independent review panel appointed by the International Centre for Dispute Resolution. That panel largely sided with him and concluded that ICANN’s decision was “not consistent with the application of neutral, objective and fair documented policy.” The panel said that after ICANN gave the bid preliminary approval in 2005, it shouldn’t have revisited some of the key issues already reviewed. Board members had used the new evaluations in deciding to reject the bid two years later, in 2007. Although the panel’s findings are nonbinding, ICANN’s board was scheduled to discuss them Friday. It was not clear whether the board would vote on the matter or defer a decision for more discussion. Lawley said the review panel was supposed to be ICANN’s mechanism for accountability, and how the organization responds to the panel’s findings “will provide great insight into the true accountability of this vital organization.” He said the process has so far cost his company about $8.5 million. ICANN tabled and effectively rejected a similar proposal in 2000 out of fear the “.xxx” domain would force the body into content regulation. ICM resubmitted its proposal in 2004, this time structuring it with a policy-setting organization to free ICANN of that task. But many board members worried that the language of a proposed contract was vague and could kick the task back to ICANN. The board rejected the 2004 proposal in 2006. ICANN revived the proposal months later after ICM agreed to hire independent organizations to monitor porn sites’ compliance with the new rules. But ICANN ultimately rejected that bid in what was to be its final consideration.
March 10, 2010 | Posted in
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NEW YORK (AP) — You don’t see much of Jerry Seinfeld on his own new NBC show, “The Marriage Ref,” which he lets someone else host. But the 55-year-old comedian and former red-hot sitcom star will be on view for a full hour Thursday on “Live! with Regis and Kelly.” The syndicated weekday talk show says Seinfeld is making his first appearance as a guest co-host, alongside Kelly Ripa. Scheduled guests include Donald Trump. — NBC is owned by General Electric Co. — On the Net: http://bventertainment.go.com/tv/buenavista/regisandkelly/index.html http://www.nbc.com/the-marriage-ref/
March 10, 2010 | Posted in
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BRISTOL, Conn. (AP) — Robert De Niro is set to play Vince Lombardi in an upcoming movie. ESPN announced Tuesday that the Academy Award-winning actor has agreed to play the Hall of Fame coach in the film it is developing with Andell Entertainment and the NFL. “Lombardi” will chronicle the years in which he transformed the Green Bay Packers from the NFL’s worst team to league champions. It is tentatively scheduled to be released in 2012 during the weekend between the conference championship games and the Super Bowl. Screenwriter Eric Roth, who won an Oscar for “Forrest Gump,” has also signed on to the project. De Niro’s Tribeca Productions will join the producing group. A director has yet to be chosen.
March 10, 2010 | Posted in
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LOS ANGELES (AP) — Long-ago lapped by Facebook in popularity and with fast-growing Twitter on its tail, social networking site MySpace is planning a series of updates over the next months that will link its users’ posts to those sites more easily and carve out its niche as an entertainment hub more clearly. Those changes, among others, were unveiled by co-presidents Jason Hirschhorn, 38, and Mike Jones, 34, this week following the abrupt departure of CEO Owen Van Natta in February after just 10 months on the job. The two remaining executives, who once shared a single office with Van Natta and now remain in it together, declined to comment much on Van Natta’s departure, other than to say his decision to leave was between him and parent News Corp.’s chief digital officer Jonathan Miller. They also shed no new light on the ongoing ad-sharing deal with Google Inc., which forms the backbone of MySpace’s revenue but expires in August. “Owen’s decision and Jon’s decision were their own. Jon came to us and said, `Would you like to be co-presidents?’ We said, `Hell yeah.’ We didn’t have to move our desks,” Hirschhorn said in an interview at the Beverly Hills headquarters. “We were very much operating the company from a day-to-day basis and believed in the strategy that we laid out with Owen, frankly.” Attempts to reach Van Natta were unsuccessful. The executives acknowledged that change has been slow coming to the site, and critics have often cited its clunkiness compared to Facebook. MySpace’s monthly visitors declined 7 percent in January from a year ago to 120 million worldwide, compared to Facebook’s 471 million visitors, a 100 percent increase, according to Internet tracker comScore Inc. Twitter grew 1,100 percent to 74 million visitors over the same time. The goal of changes in the works now is about “making sure we return to the consumer zeitgeist,” Jones said, not about competing feature-for-feature with other social networks. Hirschhorn said that MySpace needs to be more uniquely focused on the 14 million musicians who put songs and videos on the site and how fans interact with them, and is giving more control to artists over their profiles, including with tracking tools. The site is also going open up its platform for games more widely, add a movie fan page, and reward users who act as evangelizers of content. “The experience that Mike and I and the teams aim to build is such that it’s a complement to your experience on Facebook,” he said. While Jones said the pair did not feel “specific pressure” from News Corp. to change how the site earns revenue, he described a time frame that was fairly short – through August and through the company’s fiscal year, which ends in June. “I think we have everything lined up strategically to where it needs to be,” Jones said. “It’s about us operationally executing on all of this, keeping pressure on the organization to get refocused on the committed strategy.” The two helped shut down some projects that spread resources too thinly and tread on needs well served by the likes of portal sites such as Yahoo or AOL. Such segments focused on cars, parenting, weather, horoscopes, classified ads and jobs. Now the site is refocusing its gaze on the core 13-34 age group that represents more than half of its visitors and 84 percent of all the time spent on the site. Some changes include a better, smarter “stream” that allows users to see more of what their friends are doing in a central location, resembling Facebook’s “News Feed” more closely. Previously, videos added by users would not appear on friend’s streams, for example. The site is also rolling out a “Super Post” update bar that allows users to post links, videos and updates to MySpace, Facebook and Twitter all at once. And in a change that symbolizes it is really putting its past behind it, MySpace co-founder Tom Anderson, a smiling guy looking back across his white T-shirt, recently stopped being every new user’s first friend. Since last month, he’s been replaced by the cleverly named profile, Today On MySpace (T.O.M.), which features new songs, movie clips and celebrity updates and starts feeding into the new users’ stream right away. That leaves new users with a better sense of what MySpace has to offer, rather than leaving them with one friend and clueless, Jones said. “We were just like, `We’re not going to tell you what to do here, we’re not going to guide you. You’re welcome to here, and go figure something out,’” Jones said. “Now we’re saying, `OK we’re going to give you some guidance.’”
March 10, 2010 | Posted in
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LOS ANGELES (AP) — A man who has repeatedly shown up at Ryan Seacrest’s work and events has pleaded no contest to felony stalking. Chidi Benjamin Uzomah Jr. entered the plea Tuesday in Los Angeles and was ordered to undergo a psychiatric evaluation. Uzomah was arrested Oct. 30 after he showed up at the E! Entertainment Television headquarters trying to contact Seacrest. The incident was a violation of a restraining order issued in another case in which Uzomah admitted attacking one of Seacrest’s bodyguards at an event. The popular host of “American Idol” and a radio show obtained a civil restraining order against the 25-year-old. The Los Angeles District Attorney’s office says Uzomah will be sentenced on June 14. He faces up to two years in state prison.
March 9, 2010 | Posted in
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TOKYO (AP) — Sony Corp. said Tuesday it will start selling 3-D televisions in June, joining a competitive industrywide push to convince consumers to embrace the technology for their living rooms. The Japanese electronics giant, known for its PlayStation 3 game consoles and Bravia flat-screen TVs, will offer its fully capable 3-D TV model in four sizes this summer. The 40-inch and 46-inch versions will go on sale on June 10 in Japan, while the 52- and 60-inch TVs will be available starting July 16. Although the company did not release a global launch date, Sony Senior Vice President Yoshihisa Ishida said the new TVs will hit stores in the U.S. and other countries around the same time. The 40-inch 3-D will cost about 290,000 yen ($3,200), and the biggest 60-inch will retail at 580,000 yen ($6,400). Included are two pairs of Sony’s 3-D glasses, as well as a camera sensor on each unit that will adjust sound and picture quality based on viewers’ positions. A remote control button enables the switch from a regular 2-D image to 3-D. Sony hopes that 10 percent of the 25 million TVs it aims to sell next fiscal year will be 3-D units. CEO Howard Stringer has said the Tokyo-based company aims to be profitable in flat-panel TVs and gaming next fiscal year, and is pushing 3-D technology as a key strategy. Interest in 3-D has accelerated recently with the help of three-dimensional blockbusters such as “Avatar” and “Alice in Wonderland,” which earned a record $116.3 million in its opening weekend. Ishida described the current fiscal year that began last April as a difficult period that forced Sony to focus on restructuring and reversing losses. “We will go on the offensive in 2010,” he said at a press conference in Tokyo. But the same rivals that Sony has struggled against in recent years, such as South Korea’s Samsung Electronics Co., are making similar bets in 3-D and other technologies. Samsung, the world’s best-selling TV maker, began selling 3-D units in South Korea last month and aims to move 2 million worldwide this year. Panasonic Corp. is partnering with Best Buy Co. to fuel sales of its own 3D TVs, which launch in the U.S. on Wednesday. To stand out, Sony plans to exploit its strengths in entertainment, gaming and other products to offer customers a broad selection of 3-D content. The company will release a firmware update to its PlayStation 3 console this summer, making three-dimensional gaming a reality. “By strengthening the relationships between our content and other products, we aim to create a uniquely Sony world,” Ishida said. Sony will offer two additional, lower-priced models with 3-D functionality. Customers, however, will need to buy a transmitter and 3-D glasses separately. The transmitter will cost 5,000 yen ($55) and the glasses about 12,000 yen ($133). In trading on the Tokyo Stock Exchange, Sony shares rose 1.1 percent to 3,330 yen, beating a 0.2 percent decline in the benchmark Nikkei 225 index.
March 9, 2010 | Posted in
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TAIJI, Japan (AP) — The Japanese fishing village featured in “The Cove,” which won an Oscar for best documentary, defended its practice of hunting dolphins Monday as a part of a long tradition. The movie, which mixes stunning underwater shots of gliding dolphins with covertly filmed grisly footage of their slaughter, also claims that dolphin meat is laden with toxic mercury. Taiji, a quiet fishing village on the rocky coast of southwestern Japan, kills only a small fraction of the dolphins hunted by the country each year. But it has long been a target of environmentalists and animal lovers because it uses a method called “oikomi,” in which the dolphins are chased into shore, making the hunt more visible. Though few residents said they had seen the film, there was universal disgust at its portrayal of the town. Taiji proudly bills itself as “Whale Town” and a main bridge is adorned with dolphin statues, but after years of what locals see as unfair treatment by the foreign press, few are willing to talk on the record. One young dolphin trainer turned and ran away when asked for her opinion. “This is a close-knit group of fishermen. The more they feel squeezed, the more they will close off to outsiders. They won’t stop this hunt because of such pressure,” said Hisato Ryono, a local councilman who appears in the film. The mayor’s office handed out a statement that said Taiji’s dolphin hunt is lawful and argued that the movie contained statements that were not based on science. Otherwise, most town officials refused to talk. “There are different food traditions within Japan and around the world,” the statement read. “It is important to respect and understand regional food cultures, which are based on traditions with long histories.” Director Louie Psihoyos said “The Cove” isn’t meant to bash Japan but that it is “a love letter to the Japanese people.” “Our hope is the Japanese people will see this film and decide themselves whether animals should be used for meat and for entertainment,” Psihoyos said backstage after receiving the Oscar at the Academy Awards ceremony in Los Angeles. The town of Taiji kills about 2,000 dolphins every year for their meat. Some are captured and sold to aquariums. The Japanese government, which allows about 19,000 dolphins to be killed each year, acknowledges that dolphin meat is contaminated with mercury, but denies it’s dangerous unless consumed in huge quantities. In September, amid an international outcry following the screening of the movie abroad, villagers released several dozen dolphins that had been caught. But locals say they will continue with the hunt. The movie has not yet been released in Japan, but it will start showing here in June at 20 to 30 theaters nationwide. It was shown at the Tokyo International Film Festival in October, where viewers gave it mixed reviews. Still, most Japanese don’t know about the annual dolphin hunt, and dolphin meat is hardly eaten in Japan. Takeshi Kato, president of Unplugged in Tokyo, which is distributing the film in Japan, said the faces of dozens of Taiji residents are being blurred out for the Japan version to ward off possible lawsuits under Japanese law that protects privacy. “Our purpose is not to attack the people of Taiji,” he said. “If this movie can serve as an opportunity for people to find out, it would be great,” he told The Associated Press on Monday. He said he hopes the film will help open the debate in Japan on preserving nature, including dolphins and whales. “Receiving the top award in the movie industry will work as a big plus for our efforts to show this movie in Japan,” he said. Ryono, the local councilman, and Tetsuya Endo, an associate professor at Health Sciences University of Hokkaido, both appear in the current version of the film and say they were interviewed under false pretenses. Both say they have asked the filmmakers to remove footage, and Endo says he hasn’t ruled out legal action. “I feel that they should have declined the award,” Endo said. Psihoyos was unable to get permission to access the cove where the dolphins are killed. Fishermen blocked it with barbed wire and fences. So he and his film team secretly broke into the restricted area – which is in a national park – at night to set up cameras that capture the slaughter. Japanese government officials have defended the fishermen’s right to hunt dolphins and called the film unbalanced. “There are some countries that eat cows, and there are other countries that eat whales or dolphins,” said Yutaka Aoki, fisheries division director at Foreign Ministry. “A film about slaughtering cows or pigs might also be unwelcome to workers in that industry.” — Associated Press writer Yuri Kageyama and Malcolm Foster contributed to this report from Tokyo.
March 8, 2010 | Posted in
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LOS ANGELES (AP) — There are many reasons why George Clooney is one of the most popular stars in Hollywood: the crinkles around his eyes when he smiles, his soothing voice and his deep brown eyes. But he’s also one of the most generous celebrities on the Oscars red carpet. He bounded across the red ropes Sunday to the bleachers with a pen in hand, ready to shake hands and sign autographs. The fans leaped out of their seats to get a glimpse of him, pressing toward the carpet that ran into the Kodak Theatre. After he signed a woman’s security badge, she held it up in the air triumphantly and fans cheered for her. “That was super-duper nice. That’s what they all should do,” said Pauline An, a stay-at-home mom from Golden, Colo. “I talked to Mary Hart, shook George Clooney’s hand and Jason Bateman waved to me. It’s a good night.” — LOS ANGELES (AP) – Now Ryan Seacrest knows: Meryl Streep is watching. After noting that Seacrest predicted Sandra Bullock would win the Oscar for best actress, Streep went nose-to-nose Sunday with the E! red carpet host. “I was watching you earlier,” Streep said with mock gravity on her way into the ceremony at the Kodak Theatre. The actress, who is nominated also for best actress for her performance in “Julia & Julie,” chastised Seacrest for “cheerleading a little,” but added: “That’s all right.” Seacrest, a little stricken, responded: “I knew you were going to come and you were going to crush me.” Then Streep, referring to Bullock, gave in: “I’m in love with her, as is everyone in America. I kind of have been pulling for all the young gals.” Streep’s nomination was her 16th. She won for “Kramer vs. Kramer” in 1980 and “Sophie’s Choice” in 1983. — LOS ANGELES (AP) – The Oscars were a little bit country this year. “Crazy Heart,” which stars Jeff Bridges as an aging country music star, was the most obvious presence on the red carpet at Sunday’s ceremony. Bridges was nominated for best actor, Maggie Gyllenhaal was nominated for best-supporting actress and the song “The Weary Kind” by Ryan Bingham and T-Bone Burnett was up for best song. But Tim McGraw, co-star of the best-picture nominee “The Blind Side” was also in attendance with his wife, Faith Hill. McGraw plays the husband of Sandra Bullock’s character in the film. Miley Cyrus was also at the Kodak Theatre to present an award. She came with her mother, Leticia Cyrus, but not her father, Billy Ray Cyrus. “Last time I was here, I was with my dad,” the young pop star told E!’s Ryan Seacrest. “He kept stepping on my dress, so I’m hoping that doesn’t happen again.” — LOS ANGELES (AP) – In a throwback to more competitive days, Academy Award presenters rehearsed the line “and the winner is …” instead of the blander “and the Oscar goes to …” for Sunday’s show. The last time the language was used officially was for the 60th Academy Awards in 1988, when “The Last Emperor” won for best picture. The following year, show producer Allan Carr changed the wording, although some presenters ignored the new guidelines. “His goal was to make it not seem as competitive,” said Lucia Schultz, the motion picture academy’s librarian. Other awards shows also followed suit. Although academy staff would not confirm the change before Sunday’s telecast, presenters have been using the phrasing all week. At rehearsals on Saturday, Tom Hanks noticed the change and said, “You’re breaking the mold here guys.” During his rehearsal, he joked around saying, “The Saturday Oscar goes to …,” and “the winner of the fake Oscar is. …” — AP Business Writer Ryan Nakashima, Entertainment Writer Sandy Cohen and Associated Press Writer Raquel Dillon in Los Angeles, and Entertainment Writer Jake Coyle in New York contributed to this report.
March 8, 2010 | Posted in
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